Archive for the Grand Opening/Closing Category

Fire Walk With Me

Posted in gone forever, Grand Opening/Closing, History, introduction with tags , , , , on July 2, 2012 by Jenner Davis

This weekend, my camera and I were fortunate enough to gain entrance to 144 Taylor st., the location of the legendary Original Joe’s since 1937. Charred and skeletal, the  remains of this Tenderloin institution still speak of a storied history. In places, the sadness of loss seemed to resonate from the blackened timbers and crumbling plaster, the owner’s accounts now saddled with the burden of  the most sudden of expenses, fire.

But Original Joe’s has now re-opened on Stockton and Union, and up from the ashes of it’s former location the proverbial phoenix shall rise, as personified in this case by the theatrical artisans of Piano Fight.

They are good people. Go see their upcoming play “Duck Lake”.  I can’t tell you much more about it other than the fact that at one point in the production, a duck will be launched out of someone’s ass.  And really, do you need another reason to go?

And now without further adieu, fire damage porn!

Unactivated fire alarms.

From The Vault – SRL Edition

Posted in Art, Grand Opening/Closing, History, San Francisco, Special Guests, Who Is SF? with tags , , , , , , , , on April 25, 2011 by Jenner Davis

On April 4th, 1992,  ground was broken for the construction of  the San Francisco Museum of Modern Art with a performance by the one and only Survival Research Labs. My mom was on hand to capture it all on camera, as she was for many events like this around the city. Remember when there were artists here? I miss that…

More from The Vault will be posted as it’s unearthed, but until then, observe the mighty V-1, shown here in the midst of total burnination!

Trogdooorrr!!!

Dear god, what I would give to get five minutes alone that thing…

More pictures, (taken by different people), can be seen here, on SRL’s official website.

#10 The Day the Music Died

Posted in Bars, gone forever, Grand Opening/Closing, nightlife with tags , , , , , , , , , , , on January 1, 2010 by Jenner Davis

At midnight tonight, when the blue moon is full, we will cheer like drunken fools while the ball drops ‘till  day breaks, we will count down the seconds ’till blackouts and headaches, and we’ll try, as always, to put the worst of the last year behind us, and say hello to first day of the rest of our lives!

But first we must say our goodbyes.

Four years ago, on New Year’s Eve, a bar called Annie’s Cocktail Lounge was busy raising the roof of their Boardman alley address for the last time. Tomorrow they would pull up stakes and move the whole operation down the street to 5th and Folsom, reclaiming the home of the legendary Covered Wagon Saloon, and putting the current tenant, Cherry Bar, out of our misery. They would re-open the following month as Annie’s Social Club, and for the next four years we would not want for Rock and Roll. Up and coming local acts played along side big name touring bands, and there were so many amazing shows, so many good times.

But like all good times they went by far too fast.

Tonight is New Year’s Eve once again, and once again it’s last call for Annie’s. Only this time there will be no new incarnation, no grand re-opening, this time goodbye is just goodbye.

So come on down tonight for the last hurrah! There will be DJs, drinking, commiseration, camaraderie, and karaoke, all free of charge. It’ll be a night you’ll wish you could remember.

But to me last night was the night that mattered; the last live show.

The bands held nothing back, the crowd was electric, I was kicked in the stomach, assaulted by my peers, leapt upon by the singer of Everything Must Go and at one point I honestly thought I might die in a fire.

It was awesome.

And as Jesse Morris of the Man Cougars pointed out, if we could have packed the room like that every night, Annie’s would not have had to close.

It was a great bar, staffed by wonderful people, and owned by the Queen of Rock and Roll herself. Thank you, Annie, for keeping the local music scene alive, and may the new year bring you good fortune in all your endeavors.

We salute you.

If you’ve had a particularly awesome Annie’s experience, tell us all about it in the comments! We wanna hear your stories.

#9 Haunted

Posted in Art, Grand Opening/Closing, Kindred souls, Special Places with tags , , , , , , , , on November 8, 2009 by Jenner Davis

Friends! Raise your voices and sing with me a song of the city’s salvation, and join us as the silent speak once more and walk again down yesterday’s forgotten streets. For today we have found a kindred soul, and she has given my beloved tenderloin the gift of a grand work of exquisite beauty.
She has also given me the chance to say that SHE is one of US! That THIS is Last Call, San Francisco, that THIS is what I ‘m talking about! She…she..
…She feels me, yo!

mural #1
Her Mural On the corner of Golden Gate and Jones sublimely invites the ghosts of those very streets to shine once more and forever,  to slough off their opulent decay and let  forgotten elegance be restored to the crumbling ruins of their faded facades.
ghost
The granite heart of the Hibernia, hard and cold like a banker’s, has all but rotted away from the inside. But now she is lifted once more, freed from a sink of disrepair by the call of the spirits of San Francisco’s former splendor. The memory of her imposing walls is captured forever in golden light, made immortal at the hands of the preserving angel, Mona Caron.
banker
Her work, rich in detail and history, is a true masterpiece of technique that brilliantly encapsulates the tenderloin within its self, a tongue- in-cheek picture in a picture, a reflection of the many faces and people that make this neighborhood what it is.
stero world
Each one of the characters that line her painted streets seems entirely unique and familiar, as though they actually were portraits of the local fixtures, painstakingly rendered in miniature. Deceptively simple outlines convey volumes, while each understated stroke of the brush gives a subtle sense of ease to their movement.
locals
in red
I also would like to point out that she painted this mural with all of its clean, fine lines on a bumpy-ass rough stucco wall. Go ahead and try that if you think it’s easy. It’s not. The Dead don’t have hands that steady.
stucco
The sky above mid market is a mirror of hers, down to the deep velvet quality of the ethereal dusk light,
where throughout it all our favorite little landmarks are hiding in plain sight, waiting for us like old friends until we thrill in their discovery and can be brought together by the unifying recognition of the famously familiar.

Dusk
From the little known…
firecracker
to the infamous…
billiards
to the historic…
trolly
They let us know this is Home.
home
This is Home forever.  Regardless of development’s haste and the invasive monolithic towers that spring up to leave us in shadow, regardless of the ongoing urban renewal projects that displace the poor and leave our once colorful neighborhoods sterile and homogeneous, and regardless of the burgeoning temperance movement that will soon herald the REAL Last Call for San Francisco, we will remain here through it all.
kite
And beneath the trendy heaps of glass and corrugated sheet metal that dot the skyline, the soul of the city rests her bones of brick and masonry,  her tired flesh of bedrock and steel, while she waits for the day the  fault line beneath her decides to crank up the heat and clear out the kitchen once more.

But until that day we need not be despairing of our loneliness, for the ghosts of old San Francisco will always offer reassurance, a reminder, a promise they tell us “We will never be strangers here.”
So say the ghosts who thank you, Mona Caron, for a such a joyous memorial,
ghost 2

sax

… and such a fitting tribute.
mona

#5 Farewell, Ace..

Posted in Grand Opening/Closing, nightlife, San Francisco, Special Places with tags , , , , , on October 11, 2009 by Jenner Davis

I’ve often felt I was born too late.

I didn’t come of age at The Farm, or The Mab,  and I missed Off Broadway and the Nightbreak by a few years. By the time I hit the scene there weren’t too many options left for a young punk rocker lookin for a wild time. It had already become a world of hand stamps and IDs, cover charges and agro doormen. Gone was the hint of danger, the controlled violence of a good mosh pit, gone was the urgency to hurry up and have the time of your life before the cops show up to shut the whole thing down.  Gone was the underground, the afterhours, the night…

But even in the absence of relevance there were those who played on. They came to the shores of Tire Beach with generators, they came to the corner of Mission and 20th to play live in front of what once was Leed’s, and they came to Ace Junkyard, the last bastion of underground culture in San Francisco.

Located on McKinnon st. in the dirty depths of the Bayshore, Ace was a legitimate junkyard by day. A place where you could find a replacement alternator or a motor for the robot you were building in the garage, a place where the air was heavy with the smell of rust and rotten gasoline, and black grease was thickly caked on every hand you shook.  What set it apart from the area’s other dismantlers was the owner, a man named Bill. (Or, on occasion, a woman named Billenda.) It was his generosity and support of the local art and music scene that made the place what it was, but it was his soul that gave the place a life of its own.

Image by Scott Beale

Image by Scott Beale

If you’ve been lucky enough to have watched Cookie Mongoloid from atop a pile of scrap, or brave enough to have ridden one of the bike rodeo’s homemade thrill rides, or been fortunate enough to get to know Bill, you understand.  Ace was more than a place to see a show, or find a spare part. Ace was, to me, more than the sum of its parts. It was a place where I felt I belonged.

And now it’s gone.

After 25 years of operation, and a year long struggle with the landlady, Bill has been forced to close the gates of Ace for the last time, and so the unstoppable force of progress reduces to memory yet another sacred somewhere.

I raise glass to you Bill, and thank you with all my heart for the many ways Ace touched my life.

The spirit lives on in all of us.

#4 Burn, Hollywood, Burn

Posted in Bars, Grand Opening/Closing, nightlife, San Francisco, Special Places with tags , , , , , , , , , , , , , , , on August 16, 2009 by Jenner Davis

Though it has sat empty and forgotten for years now, the walls of 61 Golden Gate are still adorned with the signage of the late Hollywood Billiards. A peculiar perspective from beneath the feet of a giant, who, cue in hand,  moves with a confident swagger, and stands forever; captured in the midst of a single , vast stride.

hollywood billiards

The building itself stands on a wedge of street where Golden Gate is haphazardly intersected by Market, just inside the gaping mouth of the Tenderloin. Sitting towards the narrow end of the wedge, the property faces out onto both streets. So, 61 Golden Gate was the entrance to the pool hall on the second floor, and 1046 market was the entrance to the strip club downstairs that shared the building.

This wasn’t no family billiards. (Family Billiards is out on Geary, anyway.)

On a weekly basis, law enforcement tossed the place, and anyone who happened to be in there when it happened would be put up against the wall outside to be searched and humiliated in front of god and fellow criminal.  Inside, the air was heavy with bad intentions. Shadows cast themselves across torn and tattered wallpaper, steadily creeping with the ominous silence of gathering dusk, lamenting their indelible presence there. Rust colored stains of various age told a story of violence in the dingy, mauve carpet, in this sink of iniquity, haunted by a darkness ever growing. It’s memories, distant echoes of anguish.

I loved this place.

It has been closed forever since the night of December 10th, 2003, when it died a violent death.

Market S. Entrance

It was three of us on the table , and the night that would be the last for Hollywood Billards semed at first like any other. The music was bumpin , and  the placed was full, but not packed, the crowd consisting mostly of representatives for the local asian gang,  as it usually was at night.  Nothing seemed odd, I didn’t smell trouble..

In fact, I thought, as a I was chalking my cue and watching a couple of guys throw down the ro-sham-bo, (that’s rock scissors paper for those of you who didn’t grow up in the sunset), the atmosphere pretty relaxed for once! Almost.. jovial.

Suddenly doesn’t describe how things changed.  Fuck, neurons don’t fire that fast!  I had barely turned around to go back to my game, when those two started swingin.( Couldn’t help but think “Damn! Rock beats face! Ooo!”) Fisticuffs in Hollywood billiards was par for the course so we weren’t concerned til a few seconds later, when 10-15 people were goin at it, an official brawl.

From there it just got worse. As we scrambled to get outta the way, I watched the situation escalate from people throwing punches to people throwing barstools, and my pool cue, forgotten in my hand, was snatched and recruited fro the war effort.  it was then I remembered that earlier, I had given the counter man my ID, as deposit for the balls, and there was no way I was leaving without it.

It was Pandemonium. Complete chaos. And as I ‘m making my way to the counter, it gets worse. I hear from behind me, over the general din, this kree-azy kung- fu war cry that had no business coming out of anyone but Bruce fucking Lee. I could not not laugh. But when I turned and saw the ninja in question actually leap up onto a pool table , with a cue for a bo staff, and start wailing on people with the grace of  chow-yun-fat, I had to take a moment to appreciate both his skill, and the absurdity of finding beauty in all of this.

I never heard the first shot fired, but I saw when it hit the man not 5 feet in front of me . He went down Hard , clutching the back of his leg,  yelling, almost understated,

“Arrgh! I been shot, nigga!”

Now it is serious. There is gunfire.  We will be shot. The police will be here, I am holding. I will go to jail. The counter guy still has my id, and one of my friend has disappeared.

And all of a sudden, I am calm. Zen. I interfere the counterman before he escapes, and he returns my ID.

“Game’s on the house.”, he tells me.  I catch my friend before he tries to get out through the back door, grabbing him by the scruff and telling

“NO! We are leaving together through the front.”

And we do. Calmly, quietly, all three of us, walk right out the front not 30 seconds before the police storm right in. We walk past the body of the man shot out front, and say nothing til we reach the car. We found out later another victim was found shot  in the room just behind the door my friend was trying to leave through.

1 dead, 3 wounded. A violent end to a violent place.   But It was a historical night for us, truly one of the better stories we have. The telling of which is always made better when presented alongside of our suitable souvenir from that night that sits on desk even now, as I write this.

The 8 ball.

Taken off one of the tables, by my friend , to be used, if needed,

As a weapon.

Last Game

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